"Gayatri Spivak reminds us that ‘the general mode for the post-colonial is citation, re-inscription, re-routing the historical’."


June 13 - 21, 2015 | 4 videos screening on STROBE Network, live broadcast from Flux Factory, in the "HUMAN TRASH DUMP" program organized by Elizabeth Lamb, Butch Merigoni, and David Ian Griess

April 17, 2015 | ¡Té Lo Perdiste! performance program curated by Anabel Vázquez Rodríguez for Yeah, You Missed It... @ Mills Gallery, Boston Center for the Arts

Featured in the article Conch ou lambi?, by the Association Internationale des Critiques d'Art (AICA), Caraïbe du Sud, representing the Southern Caribbean

March 31 - April 4 | L'odeur du père screening at Festival Internacional de Videoarte de Camagüey, Cuba

March 21 | Essay-Performance Presentation at MAD THEORY 2: A Performance Philosophy Symposium, Madison, WI

March 20-21 | Curating and Presenting at TODO BAJO CONTROL: VERNAL EQUINOX,
Providence, RI

February 28 | The colors that don't run installation at Tribes Rising, Paris Street Gallery, Everett, MA

Like fragments of marble sculpture, un disparate essay on Goya’s refusal of the pictorially melodramatic and the relevance of his methodology to a contemporary understanding of the inadequacy of images as documents | @ BR&S

January 31 | The colors that don't run installation at Todo Hartford con Oscar, The Studio, Billings Forge, Hartford, CT

Featured artist/contributor in premiere issue of Contemporary Other, based in the UK

January 16-17 | Social Health Performance Club presents Dark Diction at Jack, NY

Performance with Anabel Vázquez featured in Volume 3 of Emergency Index: An annual document of performance practice, purchase a copy here.

Review of Adriana Varejão's exhibition at ICA Boston, published by Big Red & Shiny

October 31, 2014 | Empathy Play: Social Health Performance Club @ Panoply, NY

Review of Anabel Vázquez Rodríguez's performance at Área, in Caguas, Puerto Rico, published by ARC Magazine

October 16, 2014 | Performance at COLLECTORS III: Discerning Eyes @ New Bedford Art Museum curated by Yellow Peril Gallery

cover image: "Bleeding to life"