MélangeanEl Grito de GallosA carious lesion in the anxious landThe Bottom of the Air is RedPostcards4OscarAll that is solid melts into airCheer Up CharlieHearts of PalmDiatraea saccharalis: “super terram, among the canes”Caribbean Overtures: Teddy to RonnieRadio Noriega: Just 'cause"…the wound closed wearily."El mayoral en el paraiso / The overseer in paradiseDivine Horsemen: Canaan to CaneEn tu boca pongo mi dulzor.Cuba + Puerto Rico | Invitación a VolarJuego de lutoWE COME IN PEACEUnder My SkinScrooge McDuck Collage SeriesPaper TigerNostalgia // EconomicsDon't Get Too ComfortableReflections of ChinaBalsaEight Honors and Eight ShamesA Nation's Pride, or: "Esa mancha no la quita nadie."Y Sin Embargo, Te Quiero 
(And Yet, I Love You)Paradise LostArt, Celebrity, and Education"I was wrong."Rückenfigur "No he venido aqui a pedir dinero."Looking Ahead and Looking BackIncantationPanorama EphemeraSurrenderEntre la espuma, el mar, y la palmaL'odeur du pèreThe Holding MeasureAn Ecstatic TruthPumpkin Magic"Smooth as a prom queen's thighs, though not so risky."Welcome to the MachineVenas abiertas, almas diabéticas / Open veins, diabetic soulsA picture of the [past, present, &] future¡Te conozco bacalao aunque vengas disfrazao!The Post-Colonial ConditionA Gust of WindConquista de lo Inútil / Conquest of the UselessSwim Date: Mao and Khrushchev 1958
(after David Hockney)A meeting of Utopias: Yves Klein visits Disneyland after writing congratulatory letter to Fidel CastroChina, circa 1991 
(as seen in the arcade game Street Fighter 2: The World Warrior)Detroit Billboard ProjectBreaking Point: The Past Is Catching Up With UsElián González: a Post-Miami PortraitGuerillero AnonimoThe Blizzard of '64
"Gayatri Spivak reminds us that ‘the general mode for the post-colonial is citation, re-inscription, re-routing the historical’."


April 17, 2015 | ¡Té Lo Perdiste! performance program curated by Anabel Vázquez Rodríguez for Yeah, You Missed It... @ Mills Gallery, Boston Center for the Arts

Featured in the article Conch ou lambi?, by the Association Internationale des Critiques d'Art (AICA), Caraïbe du Sud, representing the Southern Caribbean

March 31 - April 4 | L'odeur du père screening at Festival Internacional de Videoarte de Camagüey, Cuba

March 21 | Essay-Performance Presentation at MAD THEORY 2: A Performance Philosophy Symposium, Madison, WI

March 20-21 | Curating and Presenting at TODO BAJO CONTROL: VERNAL EQUINOX, Providence, RI

February 28 | The colors that don't run installation at Tribes Rising, Paris Street Gallery, Everett, MA

Like fragments of marble sculpture, un disparate essay on Goya’s refusal of the pictorially melodramatic and the relevance of his methodology to a contemporary understanding of the inadequacy of images as documents | @ BR&S

January 31 | The colors that don't run installation at Todo Hartford con Oscar, The Studio, Billings Forge, Hartford, CT

Featured artist/contributor in premiere issue of Contemporary Other, based in the UK

January 16-17 | Social Health Performance Club presents Dark Diction at Jack, NY

Performance with Anabel Vázquez featured in Volume 3 of Emergency Index: An annual document of performance practice, purchase a copy here.

Review of Adriana Varejão's exhibition at ICA Boston, published by Big Red & Shiny

October 31, 2014 | Empathy Play: Social Health Performance Club @ Panoply, NY

Review of Anabel Vázquez Rodríguez's performance at Área, in Caguas, Puerto Rico, published by ARC Magazine

October 16, 2014 | Performance at COLLECTORS III: Discerning Eyes @ New Bedford Art Museum curated by Yellow Peril Gallery

cover image: "Bleeding to life"